Preface
This is to let you know that this has been developed over a period of 3 years, on a very personal journey, to sort out my back (had sciatica for 2 years and had suffered with recurring back trouble for 8 years previous to this).. This is not a fix for severe skeletal realignment or to say that this is the cure to any ills, but is, if practiced on a regular basis, a very rewarding way to strengthen and support the bodies structure, so that small misalignment's or larger ones once corrected will stay so. You will have the supporting muscular system to hold the work that has been done in place.
If
you have atrophied muscles because of poor posture, sciatica (or both
as I did), it is possible with regular practice of these simple
techniques to work the condition out.
When
I first came up with the idea my back and bottom were in a terrible
state. The whole right side of my back was in a state of atrophy, as
well as my right bottom cheek, (Glutes) due to sciatic pain on the left
side.
My
limited knowledge made me realise that the muscles on the right were so
week because I was favouring the leg that actually was causing me pain.
So the more I avoided the pain the more the muscles on the right side
atrophied.
This
made me realize that avoiding the pain was making the situation worse,
and with out the muscles to support my bones and spine, no matter how
much physio, or other therapy I tried, if the muscles were not strong
enough to hold the work that had been done, then it was a waste of
time.
I
persevered and over time the sciatic pain decreased in size and
amplitude. Until one day during the exercises I could still feel this
sciatic pain but it was in a very tight point and then all of a sudden
there it was no more.
Obviously
everyone has different ways of avoiding pain (physical pain, mental)
but its usually the first change in stance, that is void of pain, that
is the one we continue to adopt. So the way my muscles atrophied and the
side I suffered with the pain was how I found to cope. Every one will
cope differently therefore there are probably quite a few different ways
the muscles and bones would be out of alignment. The exercises work
both sides, so atrophied muscles will regenerate more quickly than the
other supporting muscles because those muscles are already strong
enough.
Also by working the muscles together they balance and start to work in harmony, as one unit.
I continue to be free of sciatic pain. As well as my back and hips being much stronger, more flexible and have more vitality.
The
Meditation and Dance were a by product of the initial impetus to get my
back better but I would say after all the hard work of sorting my back
out, with a little help from a Chiropractors, and KCR (Hugh Gilbert) the
meditation and dance are the reward, as they help you feel more
connected to your body, more grounded and the energy you can have if you
imbue all three into a daily routine is well worth the work.
One thing; these are all designed to support each other. One is fine, but all three, work the Body, Mind and Spirit:
Enjoy.
Ajumbo Core Muscle Walk.
This is a simple yet effective way to improve muscle tone over the core of your body's skeletal and muscular system. It works every muscle with the exception of the muscles in the forearm.
This
is based on postural analysis and understanding that not all of us walk
as straight or upright as we should or can. This may be down to poor
posture developed over a life time of subtle changes in the body wether
they be physical or mental.
If
you have low self worth then you are likely to have less energy this in
turn resulting in a less upright walking position. In which case this
in turn means there is more pressure on your vertebra as the muscles are
not holding you in a position of self ashuridiness (self-worth).
Tending, to balance vertebrae on top of one another, therefore using
less muscles and over time you become better at balancing your vertebrae
and so the muscles atrophy or in some cases stop working through out
most of the day except in certain circumstances when you bend down or
twist to reach something. In other words you are only ever using a very
small potential of your overall muscle mass at any one time.
With the Ajumbo walking technique you use all muscles in your core muscle structure by the time you have completely understood the subtle changes in posture, walking and how they relate to each other.
Simply
most of us have some imbalanced due to the way we see ourselves and
others and this simple technique helps rebuild muscle mass in the key
areas that are lacking in your body once you understand the principle of
what I will shortly explain.
Ajumbo Ball and socket rotation.
Viewing
people as they walk you can see some people use hip rotation in a
healthy way, were as other's use less or no hip rotation, therefore the
ball and socket joint is put under more stress repeatedly in the same
area time and time again.
With
a healthy hip rotation you use more of your core muscles which in turn
makes for a better posture due to your core muscle structure working
more effectively.
The
healthy rotation of one hip, or step is a figure of eight. As you place
your foot down the ball and socket joint should be making a clockwise
rotation (looking from the side you are observing from) and an
anticlockwise rotation when stepping forward to make the next step.
This
means that when your foot leaves the ground to make the next step it is
or should be making an anticlockwise motion (your hip is acctualy
moving backwards as you go to take a step forward) and once the foot
lands, the rotation of the ball and socket joint is clockwise.
This
is something I have observed and most people do to a greater or lesser
degree. But few people do it smoothly, favouring one leg or landing too
heavily on the foot and stressing the lower back muscles.
With
a smooth and even figure of eight you have to use more of your core
muscles therefore it improves posture muscle tone and mental state (for
it is a relaxed and more flowing way to walk).
It
is important to realize that the figure eight is not on the horizontal
but in the vertical plane. The forward motion of walking makes it feel
more like it is some where inbetween
Loosen Ball and Socket joint in Hips.
Simple exercise A
1)Work one side at a time
Stand with most of your weight in one leg, then the other leg the heal
wants to rise and then rotate your hip in a anticlockwise direction, do
this until you feel you have loosened up.
Repeat on other side.
2) Same as previous swap direction of rotation (clockwise)
Repeat on other side.
This exercise helps improve the mobility of the ball and socket joint
and also helps build up core muscle strength as well as starting to use
muscles in lower back and abdominal (stomach)
Simple exercise B
Stand with feet shoulder width apart, back good and straight, making
sure weight is evenly placed on the ground. Lift up one heel, at the
same time rotating that side/hip anticlockwise and when heal comes down
the opposite heal comes up with other ball and socket rotating
anticlockwise. Repeat as many time as is comfortable.
Now try the same but in reverse a clockwise rotation, this will
probably feel a little awkward as it is more unnatural when stationary.
In both instances try and feel if there is any difference between
right and left. If there is, it's nothing to worry about, for with
regular practice little and often, these imbalances will even out.
This starts getting both sides working in harmony (all the internal
muscles that run through the pelvis.. Depending on how you walk some
may find this easy or quite difficult at first. The other thing you may
notice is that you start to feel muscles, where you did not know there
were any. So it is best if you practice these exercises little and
often. You can make the rotations as little or as big as you like,
therefore being able to do it whilst waiting in a queue or for a
train, or even sitting down at a desk.
Ajumbo Walk Step 1
Now
once you have loosened your ball and socket joints and you feel that
the muscles are of even strength, you are ready to attempt to do the
walk.
When
your foot leaves the ground to take a step forward, your hip on that
side should rotate anticlockwise and on landing back down should rotate
clockwise.
It
is best if you concentrate on either the clockwise or anticlockwise
rotation at any one time, otherwise it gets pretty confusing. You'll
still be doing both, but do try and feel it. At first if you don't do it
naturally it will fry your head, so on the foot leaving the ground
concentrate on it making a anti clockwise rotation on both sides for a
while, (so your hip will be moving backwards when the foot in question
is moving to step forward) and then on placing the foot down concentrate
that the hip joint on which ever side is relevant is making a clockwise
rotation. The clockwise rotation will happen pretty much by itself so
less attention is necessary but look at it occasionally.
It
is best that the rotations are like a choo-choo train keeping your
center line as central as possible (This meens you have to use more
muscles so the results will be faster than if you wobble from side to
side). Obviously for women the side to side motion is bigger due to hip
size but the larger the sway the larger the side muscles have to
compensate, the extra stress on the lower cervical vertebrae causing
possible lower back stress ( and possibly more muscle in a localised
area to compensate, rather than all muscles working in unison evenly).
So
for women who like to wiggle their bums try and restrain this because
it ain't good for your lower back, unless your holding yourself up tall
and using all your internal hip flexors.
When you can feel that each rotation is smooth and with no jars then you know your getting there.
Things to fine tune.
Make
sure you don't over extend your strides. Walking at first like this is
slower. If your toes are clenching at the ground then you know you are
taking to bigger steps.. Each stride should be from heal to the ball of
your foot.
Another
thing is you may find you keep tripping up. This is because you are
walking at an even pace. Try and feel the ground and realize that your
pace may change with each step just fractionally. You'll still get there
on average in the same space of time but with lots less jarring of the
bones, sockets, tendons and muscles, as well as using more muscles and
toning up wasted or atrophied muscle groups.
If
you do find these exercises harder than you thought, it is probably
best if you make sure you are getting enough protein to restore and
repair muscle and tendon tissue. Once you have been doing this for a few
weeks you will probably see a change in your shape
When
following the next 3 steps, it should be said that to try to hard, or
get angry, if it is hard, is to weaken the muscles, so be patient and
take it slowly. Also, when tightening muscles to support vertebrae
remember you can always relax them to if it is to much. I tighten my
muscles and then relax them just a fraction, this helps the muscles from
becoming overly tired.
Another
point is when you have got to step 4 you may find it hard to walk up or
down hills. I have found that if you use predominantly your stomach
muscles on the decent and back muscles predominantly on the climb, you
will get a more even work out but this is how the muscles work in better
harmony.
This
is something I have been doing for quite a while so I speak out of
experience and would like to impart as much knowledge to you as
possible. What you do with that information is up to you.
All
these steps to follow are to be done in conjunction with the aJustur8
walk and once you have mastered the next step, then you do step 1,2
& 3 in combination and so on until you are practicing all of them
simultaneously.
The
reason you build the exercises up your back slowly is to make sure you
have the appropriate amount of muscle and control to support the next
level. If you attempt to skip ahead or do all at the same time, straight
away, the resulting stress, could amount to certain muscles having to
work to hard, sending an area into spasm. This happenened to me once,
and had to go to a Ciropractor to loosen it out. I was doing it in the
right order and I still overdid it, so go slowly.
When
you are trying to sort out years of postural abuse you are bound to run
into problems, but as long as you approach this sensibly, hopefuly you
should avoid many of the problems I had to deal with. (The visit to the
ciropractor being the only major problem which I couldn't resolve
myself) and once I had the core strength KCR sorted out any misalignment
in my hips and upper back.
Lower Back and Stomach Core Step 2
Now you have your hips rotating and lower core muscles in better balance, it's time to be standing taller.
Use your back and stomach muscles to try and put a space between each vertebrae.
This will be hard to do if you're a sloucher or a balancer, so start slowly: baby steps.
A few weeks of this and your back will be stronger and less aches and pains.
Upper Back Chest and Neck Core Step 3
This is the only part where I'm going to use correct muscle terminology for this is more difficult to explain with out it.
Again it is using all your muscles in the top third of your body to put a space between each vertebrate
So
you tighten the top part of your Erector-spinae, Latsts (Latimus-dorsi)
which pull shoulders down but then use Trapezieus to raise shoulders
again. And then use the rest of the muscle in your neck to extend your
neck upwards until you can feel a slight space between each vertebrae.
Once
you have been doing this for a few weeks or a couple of months for each
step. You should now have the balance, strength and ability to do the
last step.
This
is to use your oblique stomach muscles, stomach muscles and lower back
muscles (erector-spinae) to help move your hips. As you go to step
forward your oblique muscles on respective side of foot stepping forward
should be pulling hips backwards, on your foot landing the muscles of
the stomach can be felt joining into the ground. This may sound odd, but
if practised regularily you should get what I mean. Its more of a
fealing of being trully planted as your foot meats the ground.
An almost full body work out whilst walking. Enjoy.
Something of interest
Rhythmic resonance response.
When
walking with coins or keys in your pocket, do you favor one leg more
than the other. It can be said that with a noise comes a response so if
you favor your left leg and always put money in that pocket is this
coincidence.
Ajumbo Kinetic Meditation
This
is a form of meditation but with simple guidelines that help balance,
harmonise and enliven the body to help you center yourself in a very
gentle but powerful way, using simple geometric patterns and shapes, as
well as intent and focus that will help you get out of your head and
more into your body.
(
If you would like music to do it too, please go to my Sound cloud page
where you can listen to a set I've put together, which is free to
download if you like it, a real mixed bag, comments would be
appreciated.)
you can get to this page by clicking here
I will start by warning anybody who works with these simple patterns
and energies that there are a few do's and don'ts at least to start
with.
As
you will see later the main and most important element is the intent
that you imbue into your body and that you work with each time you
practice.
At
first you may not feel anything but with a little time and effort great
changes can occur and it is simply down to you. This is only the
starting point of the dance meditation and what you want to make it may
change with time, but when working with emotions, music, rhythm and
intent the focus should always be kept simple until you feel the change,
then comes experimentation of movement but always remember what you
imbue or what you call to yourself will come; it may take time but it
will come.
As a healer in the past and someone who has been on a spiritual Journey for a very intense 10 years I am simply in the next paragraph sharing my knowledge and simple truths that I have found out along the way.
As a healer in the past and someone who has been on a spiritual Journey for a very intense 10 years I am simply in the next paragraph sharing my knowledge and simple truths that I have found out along the way.
Dont's
It is very unwise to call for an energy that a) you know nothing about
b) that might be potentially harmful.
When
in the stance that I will describe to you shortly it is best to keep
things simple and ask that the energy be pure, good in the common or
garden sense and loving or compassionate. If you look for powerful
energies and you are not able to control them then you are just asking
for trouble in my humble opinion, although I am not so humble and have
had my fair run in with energies that are overwhelming all consuming and
detrimental to your spiritual growth, state of mind and general health
as a being, you have been warned.
Before
you start working with emotions with music it is best to understand
neutrality. The simplest way I can describe this is think of a car the
engine may be on or off but the gear stick is in neutral. As all drivers
will know it is best to be stationary when in neutral; and the same
applies to the dance meditation, both feet placed firmly on the floor.
Like this you are the ultimate observer of all things and can be totally
removed and uninvolved with the turmoil you feel around you or inside
you. It is not a place of detachment far from it, it is a place where
you can see everything as it is and for what it is and therefore let go
of it or imbue that which is of use to you. So before you work with
emotions if you decide to continue practicing this at home, first learn
neutrality. The main reason for this is that when you work with emotions
and music sometimes the shifts in your energy or understanding can be
sudden and unexpected and to people who are unused too feeling deep
emotions or have suppressed emotions over a long period of time the
shock can be quite scary like being tossed in huge waves, because you
are so overwhelmed by the sudden shift you are in no position to observe
what is happening and therefore the lesson may be lost or a deeper
understanding of what you have just witnessed you may not see. If in a
truly neutral position you are more likely to glean a deeper
understanding that is relevant to you.
Some
people are natural surfers of emotion others get tossed around in the
wake but with neutrality you'll get your bearings a lot quicker and may
even find how to surf or just flow with it. If you have a basic
understanding of neutrality then you have the tool to help you see this
moment for what it is and not for what you think it is. I know this all
may seem all a little over complicated but really it isn't.
Here it is simplified:
Imbue into yourself only what is good, wholesome and loving.
Learn what neutrality means to you. Simple
That
is it as far as the don'ts go but I thought I should just put it in
simple speak, plain English in your face because there's always one
bright spark who thinks “Oh, I'll do this”, I was one. Why invite a
stranger into your home when you do not really know them, they may not
be bad but even simple misunderstandings such as yes and no can cause
quite a disturbance. I have in the past worked with different healers
and have found that few if any warn or prepare you for the worst. You
have read the above you now have the tools to help you through a lot.
Please read all 7 steps before you start.
Before
you start, select a piece of music you like preferably something with a
good rhythm. I personally find dance or trance music very centering for
me but it's a very personal choice.
Step 1:
When
you have the music stand with your feet shoulder width apart or a
little more than which ever is most comfortable. Now with relaxed knees
stand tall as if you have a chord running up your spine and is pulling
at the top of your head. Now slowly tighten all of your muscles in your
torso. Muscles passing through your hips, lower back, stomach, obliques,
upper back muscles , chest etc. When you have tightened all of them
then just relax them very slightly. If you feel your muscles are
cramping then you are trying to hard. Tighten your muscles to a point
that is comfortable and then just ease them off just a fraction. As you
ease of the tension this is when you invite into your body a relaxed
state. For with out this relaxed state it makes it harder for you to
imbue your body with the energy of your choice. Whatever you have
decided to imbue is up to you but again it is best to keep it simple
such as Goddess or prana or life force or love the simpler the better.
You
want to do this for a couple of minutes or you can just practice this
first step for half an hour a day for a couple of weeks its totally up
to you to be taken at your pace.
Step 2:
Holding
this stance and the intent for the imbuement and the muscle control you
will find that to the music you will feel a natural urge to move, again
at first I am giving you simple guides to a) help your body reline its
energies and b) to get the imbuement and muscle control right which is a
big part of the dance meditation. Without a firm foundation and deep
roots it is harder to move graceful in the storms of life.
So
still in the same stance, but with your feet a foot width apart,
imagine roots passing out through your feet deep into the ground. You
move in a anti-clockwise direction but keep the circles you make small.
Rock forward until you can feel the weight bearing on the ballof your
feet, if your toes start to clench at the ground then you are moving to
far forward. Now ease to the left and then slowly rock backwards on to
your heals but if you go to far obviously you'll lose your balance; come
to the other side (right) and back to the start of the circle. It
should be done as if you have a rod in your back and you can feel all
your centers down your body making these small circles. Slowly smaller
and smaller until you find the optimum size. It may ebb and flow.
Practice
this for five to ten minutes, this exercise aids balance and control
but also helps you find your center and I have found deeply relaxing.
You can do it sitting down (as you can with all of the exercises) and
because of the stance it also improves posture.
Step 3:
This is the main stance and where all the other moves I have come up with originate from.
Again
in the same stance as step 1 feet shoulder width apart with the intent
and the muscle control. Lift up one heel, at the same time rotating
that side/hip anticlockwise and when heal comes down the opposite heal
comes up with other ball and socket rotating anticlockwise.Imagine a
point directly in your center in your pelvic area. This is the well
spring of life energy and I have found the simple figure 8 shape going
from left to right helps activate and unlock vital energies. So with
your focus on this point draw a small figure of eight. You may find it
easier if your heals come of the ground or at first you make the figure
of 8 quite pronounced but never think that the faster you do it or
larger the more powerful it will be. Listen too the music and let your
body guide you. You may find that the size speed and shape of the figure
of 8 keeps changing. At first it is good to try and keep it simple get
it down pat and then start moving with the music rather than too the
music.
Step 4:
Same
as above but focus attention on heart center,. If you keep moving hips
in figure of 8 all centers will naturally move in figure of eight.
Step 5:
Same
as step 3 doing figure eight with hips but bring attention to throat
chakra. If you find this hard you may have a blocked throat. So
extending your neck up as if your skull is being pulled up, but using
your muscles, make a figure of 8 with your chin, starting as big or as
small as you like. Still remembering to keep your focus on your throat
center and keeping your neck extended at all times.
Step 6:
Shift
weight on to left leg so all weight is bearing on it. In this stance it
is important to keep all the muscles tight around the hip area on the
side you are bearing the weight on so that your hip is not thrown out to
the side and so you keep a strong and straight back, The other leg
should be gently bent with the balls of your toes resting on the floor
but with little weight bearing on it. As in step two you want to make
small circles (anti-clockwise) with your whole spine and as in step 2
you don't rock any further forward than is necessary, if your toes
clench you are making the circle to big and only a small amount of
weight should be transferred to the leg that is bent. Whilst holding
this position you want to hold your left hand palm down just above your
Dan Dein (Belly botton height) and your right hand palm up just below
your Dan Dein (Groin area). This is your attention point for this
exercise.
Now
doing the small circles as in Step 2, but on one leg, imagine energy
(from the ground) coming up your left leg and side, down your left arm
and into the space between your hands.
When
you have tired of this exercise or feel the urge to swap legs transfer
your weight to the right leg but as you do so rotate the ball of energy
you have collected so that your right hand is on top and your left hand
is on the bottom (in the process you should be able to keep ball shape
as you move you weight to other side palms rotate to face each other and
then as weight moves to other leg, right and left palms switch
position), palms always facing each other. Now all of your weight should
be on your right leg and the left leg should be gently bent. Remember
to keep muscles tight so that your hip isn't thrown out and the
alignment of the spine is compromised.
Now
doing the small circles on the right leg, imagine energy (from the
ground) coming up your right leg and side, down your right arm and into
the space between your hands.
When
you have completed an equal amount of time on both sides place both
feet flat on the ground keeping hold of the ball. Really you should have
orientated the ball of energy so that you are holding it directly in
front of you as you shifted your weight to the center line. Place the
ball of energy gently into your Dan dein and return to the figure 8
stance..
Step 7:
To
finish stand upright bring your arms up from your sides and point with
your finger tips to your high heart center (upper part of the sternum),
the backs of your hands should be facing each other (thumbs pointing to
the sky), hold this for a few minutes with the intent of sending any
energy in a loop back down into the ground. Imagine energy coming up
your legs down your arms and out of your fingertips into your high heart
center and then back down into the ground. Hold this for a few minutes
this will help ground the energy that you have consciously or
unconsciously been working with and help you use and bring thus into
your everyday life. If energy is not properly grounded it can make you
quite unstable both mentally, physically, and emotionally so this is
probably the most important of all the exercises.
When
you have finished your meditation you should allow the same amount of
time that you spend doing the meditation stretching. This is very
important as you will find your muscles can be quite tired even after a
short period because they are not used to holding your body in such a
way. Me included have fallen in to many bad habits and these stances are
the basis of good stance but stretching and flexibility are also
important.
This
is as many steps that for now I can write down to explain other moves
that are more powerful in writing alone would be complicated and open to
interpretation suffice to say I would like to teach this in more detail
to anyone who is interested but feel to try and convey on paper would
not really work. The next step is moving into dance, but if you practice
with these 7 basic techniques and you start to feel a connection with
an energy you haven't felt before and you find it gives you strength to
help you through the day then my journey has not been in vain.
As
you are probably aware today we did not work with emotions but this is
some thing I would like to share with anyone who is interested. If you
find the first few steps useful maybe some of the techniques I have
learn't through experience and experimentation over the past few years
would be useful. The system I am trying to build up is experimental with
those that participate and therefore it is a very organic form of
meditation and in time each person would bring there own unique
perspective and contribution to the group. Any one who is interested can
contact me at e-mail: nayhan.flipflop@gmail.com
Would also be interested in any feedback critical or otherwise.
Would also be interested in any feedback critical or otherwise.
Ajumbo Dance
Simple again.
Move
to the music just one joint I a figure of 8, as big or as small as you
like. When you have the groove with the music and the figure of eight,
transfer the motion, emotion, amplitude and spead to the opposite joint
(once you get to the cross of the virtual figure of 8) transfer the
rhythm, and direction of motion into the opposing joint(s).
I find using the wrist, elbow , or shoulder joint preferable to start with.
As
you become more familiar how this feels you can start mixing it up and
throwing the figure of eights to any joint you choose.
That is it!
Enjoy...